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NATIVE VISIONS: TRIBAL INFLUENCE IN GERMAN EXPRESSIONIST PRINTS
 Native Visions: Tribal Influence in German Expressionist Prints is on view at Pace Master Prints and Pace Primitive 32 East 57th Street, Third Floor, NYC from February 24-March 25, 2006 Please Note: For further questions regarding prices and availability please contact us at: info@GermanExpressionism.com |
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Erich Heckel (1883 Döbeln-1970 Radolfzell) STEHENDES KIND (FRANZI STEHEND) Color woodcut. 1910 Signed and dated in pencil lower right and tilted. One of only 6 known impressions in black and green (presumably printed later, as usual). On thick structured paper. Reference: Dube 204 b 1 (of 2) Size: 367/374 mm x 241/270 mm (559 x 352 mm) |
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Ernst Ludwig Kirchner (1880 Aschaffenburg-1938 Frauenkirch/Davos) DREI AKTE Woodcut. 1911. Signed in pencil lower right and inscribed lower left. A fine, handprinted impression of this extremely rare print. One of four known impressions in the second state before the edition for Der Sturm. Gercken knows one impression in the first state and doubts that Dubes third state exists. On wove paper. Reference: Dube 182 II (of III) Provenance: Collection Heinrich Stinnes, Cologne Gutekunst & Klipstein, 20.-22.6.1938, cat.-no.509 reproduced Collection Aebli-Streiff, Zurich Size: 205 x 260 mm (220/223 x 258 mm) |
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Emil Nolde (1867 Nolde -
1956 Seebüll) TÄNZERIN Lithograph, printed in colors (ochre, black, gray-violet and dark red) 1913. Signed in pencil lower right, titled and inscribed lower left, from the edition recorded as 35, printed at the Westphalen lithography workshop, Flensburg, on Japan paper. A superb impression, the colors remarkably fresh and vibrant.This important lithograph went through a number of different stages and was printed from up to five lithographic stones for some proofs. Our impression, one of 35, was printed from four stones. First the ochre, followed by the black details, then the grayish-violet background and finally the dark red. All impressions are exceptionally rare as the working proofs were lost during the bombing raid in 1944.Tänzerin is a masterpiece of German Expressionism, and unquestionably Nolde´s greates achievement as a printmaker. Reference: Schiefler/Mosel 56 Size: 530 x 690 mm (604 x 780 mm) / 20 7/8 x 27 3/16 in. (23 ¾ x 30 ¾ in.) |
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Erich Heckel (1883 Döbeln-1970 Radolfzell)
KNIENDE AM STEIN Woodcut. 1913/14. Signed in pencil lower right and dated. According to Dube a proof aside from the edition of 40, which where signed by the printer Voigt and published in the portfolio Elf Holzschnitte, Berlin, 1921. Brilliant impression on thick wove paper. Reference: Dube H 258 A (of B b) Size: 499 x 311/323 mm (689 x 495 mm) |
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Emil Nolde (1867 Nolde - 1956 Seebüll) STEHENDE SÜDSEEFRAU MIT KIND Watercolor. 1913/14. Signed in pencil, on Japan paper. |
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Karl Schmidt-Rottluff (1884 Rottluff - 1976 Berlin) MÜSSIGE HETÄREN Woodcut 1914. Signed in pencil lower right S. Rottluff and dated 1914. Inscribed in the lower left edge with the work number 1544. A superb, deep black impression of this large woodcut. The grain of the woodblock used to enhance the image. On brownish laid paper with watermark SLG. Reference: Schapire 133 Size: 395 x 500 mm (510 x 612 mm) |
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Karl Schmidt-Rottluff (1884 Rottluff - 1976 Berlin) KNIENDE Woodcut 1914. Signed in pencil lower right. A particularly fine, strong impression of one of the major prints from the important group of monumental woodcuts from 1914. Hand-printed, on thick, soft wove paper. Reference: Schapire 132 Size: 500 x 395 mm (705 x 558 mm) |
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Emil Nolde (1867 Nolde - 1956 Seebüll)
FAMILIE Woodcut. 1917 Signed in pencil lower right. Titled in the lower left corner by Ada Nolde. According to Noldes notes one of 16 impressions. On firm sturdy paper. Reference: Schiefler/Mosel 128 II Size: 235 x 325 mm (298 x 393 mm) |
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Karl Schmidt-Rottluff (1884 Rottluff - 1976 Berlin) LIEBESPAAR Woodcut. 1918. Signed in pencil lower right and inscribed with the work number. A brilliant impression of this scarce print, the richly inked black areas printed with fine subtieties of the wood-grain. On warm-toned brownish wove paper. In excellent condition. Reference: Schapire 207 Size: 599 x 253 mm (708 x 390 mm) |
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Karl Schmidt-Rottluff (1884 Rottluff - 1976 Berlin) MÄDCHEN AUS KOWNO Woodcut 1918. Signed in pencil lower right. Published as plate 10 in the portfolio Zehn Holzschnitte von Schmidt-Rottluff, Graphisches Kabinett I. B. Neumann, Berlin 1919. From the edition of 75 impressions, on laid paper. Reference: Schapire 209 Size: 498 x 390/392 mm (617 x 507/510 mm) |
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Emil Nolde (1867 Nolde - 1956 Seebüll) KERZENTÄNZERIN Line and tonal etching. 1918. Signed in pencil lower right. One of 14 impressions. Reference: Schiefler/Mosel 195 II |
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Karl Schmidt-Rottluff (1884 Rottluff - 1976 Berlin) GROSSE PROPHETIN Woodcut. 1919. Signed in pencil lower right. Signed by the printer (printed by F. Voigt) lower left. A brilliant impression. The deep black areas printed with fine subleties of the wood-grain. On laid Japan paper. Reference: Schapire 258 500 x 390/393 mm (750 x 505 mm) |
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Hermann Max Pechstein (1881 Zwickau - 1955 Berlin) ZWIESPRACHE Woodcut in colors. 1920. Signed in pencil lower right and dated. Excellent impression on laid paper, with full margins, with the blindstamp of the Euphorion-Verlag in the lower right corner. The colors strong and fresh. Reference: Krüger H 228; Fechter 162 Size: 409 x 320 mm (533 x 407 mm) |
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Otto Mueller (1874 Liebau - 1930 Breslau) ZWEI MÄDCHEN - HALBAKTE (RUSSISCHES MÄDCHENPAAR Lithograph. 1920. Signed in pencil with the monogram lower right. A very fine, strong, black impression with good contrasts, on warm-toned yellow paper. One of circa 60 monogrammed impressions. Further 30 impressions were printed on Japan. According to Karsch, the edition printed on different, mostly laid papers. Our impression on lightly hammered yellowish laid paper as described by Karsch. Reference: Karsch 121 b (von c). Size: 437 x 343 mm (511 x 403 mm) |
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Christian Rohlfs (1848 Niendorf-1939 Hagen) ZWEI KÖPFE Tempera. 1929. Signed with the monogramm and dated lower right. On paper. Reference: Schapire H 7 Size: 295 x 385 mm (342 x 432 mm) |
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Emil Nolde (1867 Nolde -
1956 Seebüll) DOPPELBILDNIS Woodcut. 1937. Signed in pencil lower right numbered left. From the edition of 150 impressions, published by Schweizerische Graphische Gesellschaft. Brilliant impression in deep black with relief on the verso. On thick chamois wove paper. Reference: Schiefler/Mosel 193 II Size: 310/314 x 226/229 mm (415 x 295 mm) |
